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Jazz Age: IFC's Forthcoming Murder Mystery Series 'The Spoils Before Dying' Premieres July 8
EXCLUSIVE: Matana Roberts Part Two: Living on a Boat, Surfing the Rockaways and the NYC Waterways Code of Honor
Living on a boat in the southern tip of Brooklyn has certainly afforded Matana Roberts lifestyle choices she may not have either had access to or the mindset to take advantage of. The mystical surroundings of the NYC waterways and the inhabitants therein have found a special place in Matana’s heart and creative force. Here, then, for our last interview segment we paddle out into the post-Sandy Rockaways and explore Matana’s solitary water life directive. EXCLUSIVE: Colleen on 'Captain of None' Thrill Jockey Records Release, Working with Naoko Tanaka and Christopher Thockler and African Music Influences
Much like myself, french multi-instrumentalist Colleen aka Cécile Schott takes sonic influence from Terry Riley, Arthur Russell, traditional African and Jamaican music and, naturally, the Wu Tang Clan. All of which she delved into on her edition of VF Mix 14, a vinyl-only mix series hosted by The Vinyl Factory, quoting “Bells of War” as her choice Wu cut. These influences trace back to Cecille’s childhood obsession with her parents cassette tape “The Kings of Reggae”, mostly consisting of Lee “Scratch” Perry tracks from 1976 to 1979.In her own work, she uses her voice and the baroque instrument treble viola da gamba to recite intricate tales of the human mind and heart. Her latest release, Captain of None on Thrill Jockey Records is possibly the most experimental album in her repertoire featuring tracks heavily influenced by her Jamaican and African music obsession, embossed bass lines and, new to her, percussive effects.Recorded, mixed and produced entirely by Cecille in her San Sebastian, Spain music studio, Cecille imparted dub production techniques, a melodica, a Moogerfooger and delay pedal and echo effects. Another intricacy of Captain of None: rather than bowing the instrument in a traditional manner, Cecille tunes the viola da gamba like a guitar and plucks it for a fresh perspective on what a string instrument is and can be. I had an e-conversation with Colleen on her Thrill Jockey release, where her love of the viola da gamba came from and the very real struggle for non-American artists to tour in the States.
