Despite the best efforts of would-be interdisciplinarians throughout Euclidean space and Cartesian time--from antiquity's Pythagoreans, to Leonard Meyer's Chicago cohorts of the '60s, to the acolytes of Douglas R. Hofstadter's Bloomington colloquia--music, science and knowledge, while certainly linked beyond mere coincidence or the occasional isomorphism, ultimately exist as three functionally discrete, fully autonomous endeavors.
