What's the fuss all about? The U.S. morning news bulletins are full of the news that, shock, horror, "Opera singer to sing national anthem at Superbowl." And? And yet the news teams (news!) are earnestly discussing the rights and wrongs of the decision to invite Renée Fleming to this august occasion, reading out (mostly hostile) tweets and reassuring viewers that, yes, she is actually pretty darn good.
Are we not past all this? Did The Three Tenors not lend glamor, beauty and excitement to the Los Angeles Olympics and the Soccer World Cup? In the U.K., we are well used to the mixing of classical musicians and sports events--a blend that helps to popularize the former and aggrandizes the later.
Well, if we must, two points. This is the American national anthem, a soaring lyrical tune that seems made for the long-breathed lines of an opera singer. And this is Renée Fleming, whose way with a floated melody is rather special. Furthermore, she is one of those rare artists where true artistry and fame coincide. We're not talking naff crossover (as opposed to good crossover, I hasten to add, a rare but real phenomenon). We're talking the real deal. Superbowl fans are going to get the best of the best.
Isn't that what sporting events are all about? Sheesh!
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