Renowned soprano Kathleen Battle, celebrated as one of the Metropolitan Opera's most cherished stars, graced the stage once more on Sunday.
Her return marked a significant event, considering her last performance at the Met Opera dated back to 1994. Since then, she has remained active in the music scene, recording albums and occasionally delighting audiences with her captivating performances.
Battle's stage presence was as mesmerizing as ever, radiating a diva-like charm that captivated the audience. Adorned in a stunning black lace dress accentuated by two large shawls, one in violet and the other in turquoise, she commanded attention with her elegant presence. Amidst the concert, she gracefully adjusted her attire, drawing admiration from the crowd.
During the second half of the concert, amidst a chorus of applause, one enthusiastic fan couldn't contain their excitement, shouting out to Battle as she changed into dazzling red glittering shoes.
As Battle took to the stage amidst a standing ovation, the enchanting melodies of Purcell's 'Music for a while,' sung by Kibbey and Pinheiro, filled the air. Her voice, delicate yet powerful, evoked memories of Handel's 'O, sleep why dost though leave me?' from Semele.
With wit and a slightly richer tone, Battle delivered a compelling rendition of Purcell's 'Man is for the Woman Made.' Throughout the performance, her vocal prowess shone, particularly in pieces like Schubert's 'Seligkeit,' Mendelssohn's 'Auf Flügeln des Gesanges,' and Reynaldo Hahn's 'Si mes vers avaient des ailes,' showcasing snippets of her unparalleled talent.
The second half of the concert commenced with the Ária from Heitor Villa-Lobos's 'Bachianas Brasileiras' No. 5, where Battle's voice intertwined harmoniously with the exquisite accompaniment of the harp and guitar.
While Battle contributed her signature ethereal melodies, it was the exceptional playing and refined approach of Kibbey and Pinheiro that truly captured the essence of the music.
Throughout the performance, Battle's voice resonated most profoundly when she hit the first note precisely, showcasing her unparalleled skill and artistry. The climax of the evening arrived with stirring renditions of Joaquín Rodrigo's 'De los álamos vengo, madre' and Jaime Silva and Neuza Teixeira's 'O Pato,' marking undeniable triumphs in Battle's illustrious career.
